Most little girls like dolls. Natalie preferred kaleidoscopes and camera bodies. Her father, an architect, encouraged her to build on her love of filmmaking from an early age. While others played hide and seek, she hunted for the perfect frame in the perfect light. Her love of stories that transcend the barriers of language and distance is second only to her obsession with light.

10 years of on-location single cam shooting, a SAFTA award, an Avanti and SACS Visual Spectrum award later and Natalie is still sure her best work lies ahead of her. Her tenacity and thrill at every part of the spectrum will serve her well in the commercials environment, where she will no doubt leave her mark.