1ST AC / FOCUS PULLERS

BRENDAN WASSERMANN (RONIN TECH) 

Brendan finished his honors degree in Cinematography from AFDA in 2015 finishing with the top cinematography awards in 2014 and 2015. Since Brendan has worked as a 1st AC servicing local and international productions in over 12 African countries. Brendans experience includes commercials, TV Shows and Feature films. Brendan strives on running a flawless camera department with his knowledge as a Ronin and Noda wheels technician aiding his skill set. A glass half full kind of guy always ready with solutions for whatever set throws at him.

DEAN HIBBERT 

Dean Hibbert is a filmmaker and cinematographer that has been working in the camera department for the last 12 years. He has worked across the landscapes of adverts, TV drama’s, local films and international feature films. His cinematography work is focused in music videos, short films, documentaries and live music production. Dean has a passion for storytelling, especially the more avant-garde aspects of cinema.

FUAD CASKER

Fuad graduated from the Film and Television program at Cape Peninsula University of Technology in 2012. This program required every subject to be treated as a major, which gave him a comprehensive understanding of the filmmaking process and a deeper appreciation for the various departments within the film industry.

Throughout the years, he has gained experience with numerous formats, including local and international features, commercials, music videos, corporate videos, and documentaries. He’s had the opportunity to work in lighting, grips, and stunts but the camera department has always felt like home to him. Experiencing the industry from different perspectives has enhanced his appreciation for the work that we do.

He genuinely enjoys the freedom of combining the technical aspects of cameras with the creativity of movement. It’s rewarding to feel the connection between the performer and the operator and to be the focal medium that binds it all together.

GABRIEL ATTWOOD

Gabriel’s passion for the image begins with his enthrall of nature and appetite for adventure.The merging of a honed technical skillset with a knack for creative problem-solving places Gabe well on a variety of projects.

Experience working globally with diverse teams on documentary projects, scaled commercial and feature film projects has prepared Gabe well to adapt and evolve with the project at hand.

Focus Puller, Water Cameraman & Camera Operator.

JOSHUA DEAN MARAIS

Having studied Cinematography in Cape Town doing a 3 year Bachelor of Arts degree, Josh now calls Joburg home. He works as part of a strong team doing commercials, international and local feature films. 

He has set his trajectory on becoming a DOP and will operate, pull and load to gain the much needed skills until then.

For now it feels like there is no camera that Josh has not had his hands on and his technical knowledge is ridiculous.

JUAN WHITE

Juan began his journey in 2009 as an amateur photographer, developing a keen eye for visuals. In 2013, he took a significant step by enrolling in film school, where he spent three years honing in his skillset. From early on it was clear that the world of cinematography, specifically having an eye for focus, came naturally; it was in that moment that he knew he wanted to pursue this until retirement. During his time in film school, he worked as a production assistant (PA) and interned as well as receiving comprehensive camera training.

Following film school, he spent four years working on TV drama series, where he mastered various camera systems and further refined his expertise. From there, he transitioned to working on TV commercials and movies, expanding his experience across different formats. Juan has spent an extensive time pursuing various projects that showcase his contributions to the industry and is open to opportunities that take him anywhere in the world.

His passion for creating stunning visuals drives him to continuously improve and deliver exceptional results. As a dedicated team player, he is always eager to learn, adapt and give his best performance to every project.

KELEBOGILE MOKANYANE

Kele is a dynamic force bringing energy, enthusiasm and, an open mind to every project. Her willingness to learn and her solution-oriented mindset set her apart, allowing her to adapt quickly and overcome challenges with creativity and precision. With a zest for life that lights up any set, Kele combines vast technical knowledge with a genuine passion for storytelling, precision and dedication to every phase of production; from preparation through to final execution. Looking ahead, Kele aspires to deepen her craft by constantly advancing her knowledge on the latest technological releases within her field and, learning various filming techniques so that she can contribute positively to the world of storytelling by helping create authentic and impactful work.

KEVIN SCHNIDER

Kevin always brings his big smile and positive attitude to set. His passions lie in old cars, bicycles and building cameras! Kevin is a dual passport holder and has worked on shoots all over the world, but is still very in love with his home town of Cape Town. He is available for dad jokes and sharp focus!

LIPHUMILE ILANGA GODUKA

You never forget your first encounter with Liphumile, she’s a vibrant force whose laughter is as contagious as her passion for storytelling. With a career that began in journalism, she completed her loaders course at Media Film Series in 2009 and has been on an exciting journey ever since, amassing an impressive list of credits along the way.

Mentored by some of the best in the business, Liphumile is now forging her own path in the industry. Her humility shines through as she actively encourages the growth of trainees, reminding us all that nurturing new talent is key to keeping our creative community thriving.

Her experience spans the globe, collaborating with diverse teams on a range of projects —from captivating commercials to thought-provoking feature films. This rich tapestry of experiences has uniquely positioned Liphumile to adapt, innovate, and bring fresh perspectives to every project she tackles.

In a world where creativity knows no bounds, Liphumile is a beacon of inspiration, proving that laughter and collaboration can transform any endeavour into something extraordinary.

LWANDISA JOKO

Lwandisa Joko graduated from AFDA Port Elizabeth film school in 2018 with a BA in Motion Picture; specialising in cinematography on a full scholarship. Two days after her graduation she was called to Johannesburg to work as a camera assistant and thus starting her journey in the industry. The following year in 2019 she was awarded the AFDA Alumni of the Year award and this was the same year she started focus pulling.

She is a dedicated and diligent technician who had the opportunity to build an Arri Alexa LF camera, SmallHD focus puller unit and, a VT unit & system from scratch, from the box also creating all serial numbers & gear lists. She became a gear manager for Tshedza Pictures (The River) from 2021 -2023.

Lwandisa’s goal is to be one of the best focus pullers both creatively, technically and systematically all aligning in how she runs her team and supports her DOP. Also ensuring to give other females a chance in this industry by predominantly moving with a female assisting team.

You will always find Lwandisa laughing and smiling on set and keeping the good vibes going.

MACAIRE COX

Growing up in a film mad family, Macaire brings his knowledge and discipline onto each and very set he works on. Starting off as a darkroom loader on 2005, he made the move to focus puller in 2011 and has worked successfully in every medium – commercials, local and international feature films and television series.

MALCOLM CROSS

Malcolm is a seasoned 1st Assistant Camera (focus puller) with a deep passion for the technical and creative side of filmmaking. With years of experience, he has honed the skill of maintaining perfect focus throughout a shot, ensuring that every frame tells the intended story. His work requires a blend of precision, adaptability, and quick thinking, as he is always ready to tackle the unexpected and make adjustments on the fly.

Beyond his technical expertise, Malcolm thrives in the collaborative environment of film sets, working closely with the cinematographer, grips, sound crew, and other departments to bring each shot to life. Whether troubleshooting gear, adjusting focus mid-scene, or guiding the audience’s eye through a complex shot, Malcolm’s role is a mix of problem-solving and artistry. His attention to detail and dedication to the craft make him an integral part of any film production.

MANDLA DLAMINI

Mandla has an expansive journey working in the industry and his passion reaches far and wide. He has worked on both international and local projects while working alongside some pretty big names. When the show craters the name, “not your run of the mill”, and you need to know that you can trust your crew implicitly, Mandla is the guy you call and you can be assured that all your bases will be covered.

Mandla loves being on set and helping in whatever capacity he can. His aspiration is to become a DOP but for now he wants to gather as much knowledge and experience as possible, while focusing on pulling and his skillset as a ronin technician.

NATHAN “NATE” SCHOOF

During Nates final year at AFDA in Port Elizabeth, he got the opportunity to work on a feature film being shot by a film crew from Joburg, he worked very hard and the right people noticed. After the movie he was asked to work in Johannesburg as a loader, having done multiple feature length projects and many, many more commercials. You could say the rest was history.

He works on the principal of what you add to the team is what makes the team, always striving to perseve through stressful moments, keep calm and always keep a smile on his face!

His goal is to continue learning from the best around me. The absolute end goal and dream is to shoot Horror films.

RORY SPRINGTHORPE

Rory’s journey into the world of focus pulling began in 2018 when he discovered his passion for photography. Leaving behind a corporate IT career, he dove into the camera department, where his love for both technical precision and creative storytelling naturally led him to focus pulling – a role where his meticulous attention to detail, calm demeanour and, organized approach thrive.

Starting with passion projects, social campaigns, and documentaries, Rory honed his craft while growing alongside Cape Town’s vibrant community of emerging Directors of Photography. His early experiences laid the foundation for his current work on a range of commercials, as well as a few feature films and TV shows.

Though he is relatively new to the industry, Rory is confident in his abilities behind the focus wheel and is dedicated to building a long-term career as a focus puller. With each project he continues to grow, learning from every frame, and is excited for the opportunities the future holds.

THEMBA MABASO

As a dedicated First Assistant Camera (1st AC), Themba specializes in bringing technical precision and creative collaboration to every project. With extensive experience working with ARRI and Sony camera systems, he is skilled at managing high-end gear, ensuring flawless execution on set and, supporting the Director of Photography (DOP) in capturing the perfect shot.

From handling the intricacies of focus pulling to coordinating complex setups, Themba thrives on the challenges of modern filmmaking. His expertise extends to advanced stabilization tools like the Ronin 2, where he excels in crafting smooth, dynamic movements as well as traditional wheels which, allows him to execute precise and fluid camera control. Whether it’s a fast-paced action sequence or an intimate dialogue scene, he brings a steady hand and sharp attention to detail to every frame.

He is passionate about the art of storytelling and views every project as an opportunity to push creative boundaries. Known for his adaptability, technical know-how and dedication to the craft, he aims to help translate a director’s vision into stunning visuals while fostering a seamless workflow on set.

TITO BALATA

Tito Balata is an accomplished 1st Assistant Camera/Focus Puller with a decade of experience in the film industry. Tito specializes in ensuring that every shot is perfectly prepared and ready to roll. His primary focus is on maintaining sharpness and clarity, making him an invaluable asset on set.

Throughout his career, Tito has worked on a diverse range of projects, showcasing his skills in both commercial and narrative filmmaking. Notable works include the Chicken Licken Commercial with Darling Films (2020), the documentary Dust & Stone with Jesse Rudoy (2018), and the critically acclaimed The Legend of Black Snake for Lobstar Tree Film (2016). More recently, he contributed to The Black Door for ETV Drama (2022), the Netflix film Piano Love with Black Brain Picture (2023), and The Outlaws for ShowMax with Tzedza Picture (2023).

With a keen eye for detail and a passion for storytelling, Tito continues to elevate the craft of cinematography in every project he undertakes.

1ST AC / FOCUS PULLERS

BRENDAN WASSERMANN (RONIN TECH) 

Brendan finished his honors degree in Cinematography from AFDA in 2015 finishing with the top cinematography awards in 2014 and 2015. Since Brendan has worked as a 1st AC servicing local and international productions in over 12 African countries. Brendans experience includes commercials, TV Shows and Feature films. Brendan strives on running a flawless camera department with his knowledge as a Ronin and Noda wheels technician aiding his skill set. A glass half full kind of guy always ready with solutions for whatever set throws at him.

DEAN HIBBERT 

Dean Hibbert is a filmmaker and cinematographer that has been working in the camera department for the last 12 years. He has worked across the landscapes of adverts, TV drama’s, local films and international feature films. His cinematography work is focused in music videos, short films, documentaries and live music production. Dean has a passion for storytelling, especially the more avant-garde aspects of cinema.

FUAD CASKER

Fuad graduated from the Film and Television program at Cape Peninsula University of Technology in 2012. This program required every subject to be treated as a major, which gave him a comprehensive understanding of the filmmaking process and a deeper appreciation for the various departments within the film industry.

Throughout the years, he has gained experience with numerous formats, including local and international features, commercials, music videos, corporate videos, and documentaries. He’s had the opportunity to work in lighting, grips, and stunts but the camera department has always felt like home to him. Experiencing the industry from different perspectives has enhanced his appreciation for the work that we do.

He genuinely enjoys the freedom of combining the technical aspects of cameras with the creativity of movement. It’s rewarding to feel the connection between the performer and the operator and to be the focal medium that binds it all together.

GABRIEL ATTWOOD

Gabriel’s passion for the image begins with his enthrall of nature and appetite for adventure.The merging of a honed technical skillset with a knack for creative problem-solving places Gabe well on a variety of projects.

Experience working globally with diverse teams on documentary projects, scaled commercial and feature film projects has prepared Gabe well to adapt and evolve with the project at hand.

Focus Puller, Water Cameraman & Camera Operator.

JOSHUA DEAN MARAIS

Having studied Cinematography in Cape Town doing a 3 year Bachelor of Arts degree, Josh now calls Joburg home. He works as part of a strong team doing commercials, international and local feature films. 

He has set his trajectory on becoming a DOP and will operate, pull and load to gain the much needed skills until then.

For now it feels like there is no camera that Josh has not had his hands on and his technical knowledge is ridiculous.

JUAN WHITE

Juan began his journey in 2009 as an amateur photographer, developing a keen eye for visuals. In 2013, he took a significant step by enrolling in film school, where he spent three years honing in his skillset. From early on it was clear that the world of cinematography, specifically having an eye for focus, came naturally; it was in that moment that he knew he wanted to pursue this until retirement. During his time in film school, he worked as a production assistant (PA) and interned as well as receiving comprehensive camera training.

Following film school, he spent four years working on TV drama series, where he mastered various camera systems and further refined his expertise. From there, he transitioned to working on TV commercials and movies, expanding his experience across different formats. Juan has spent an extensive time pursuing various projects that showcase his contributions to the industry and is open to opportunities that take him anywhere in the world.

His passion for creating stunning visuals drives him to continuously improve and deliver exceptional results. As a dedicated team player, he is always eager to learn, adapt and give his best performance to every project.

KEVIN-SCHNIDER

Kevin always brings his big smile and positive attitude to set. His passions lie in old cars, bicycles and building cameras! Kevin is a dual passport holder and has worked on shoots all over the world, but is still very in love with his home town of Cape Town. He is available for dad jokes and sharp focus!

KELEBOGILE MOKANYANE

Kele is a dynamic force bringing energy, enthusiasm and, an open mind to every project. Her willingness to learn and her solution-oriented mindset set her apart, allowing her to adapt quickly and overcome challenges with creativity and precision. With a zest for life that lights up any set, Kele combines vast technical knowledge with a genuine passion for storytelling, precision and dedication to every phase of production; from preparation through to final execution. Looking ahead, Kele aspires to deepen her craft by constantly advancing her knowledge on the latest technological releases within her field and, learning various filming techniques so that she can contribute positively to the world of storytelling by helping create authentic and impactful work.

LIPHUMILE ILANGA GODUKA

You never forget your first encounter with Liphumile, she’s a vibrant force whose laughter is as contagious as her passion for storytelling. With a career that began in journalism, she completed her loaders course at Media Film Series in 2009 and has been on an exciting journey ever since, amassing an impressive list of credits along the way.

Mentored by some of the best in the business, Liphumile is now forging her own path in the industry. Her humility shines through as she actively encourages the growth of trainees, reminding us all that nurturing new talent is key to keeping our creative community thriving.

Her experience spans the globe, collaborating with diverse teams on a range of projects —from captivating commercials to thought-provoking feature films. This rich tapestry of experiences has uniquely positioned Liphumile to adapt, innovate, and bring fresh perspectives to every project she tackles.

In a world where creativity knows no bounds, Liphumile is a beacon of inspiration, proving that laughter and collaboration can transform any endeavour into something extraordinary.

LWANDISA JOKO

Lwandisa Joko graduated from AFDA Port Elizabeth film school in 2018 with a BA in Motion Picture; specialising in cinematography on a full scholarship. Two days after her graduation she was called to Johannesburg to work as a camera assistant and thus starting her journey in the industry. The following year in 2019 she was awarded the AFDA Alumni of the Year award and this was the same year she started focus pulling.

She is a dedicated and diligent technician who had the opportunity to build an Arri Alexa LF camera, SmallHD focus puller unit and, a VT unit & system from scratch, from the box also creating all serial numbers & gear lists. She became a gear manager for Tshedza Pictures (The River) from 2021 -2023.

Lwandisa’s goal is to be one of the best focus pullers both creatively, technically and systematically all aligning in how she runs her team and supports her DOP. Also ensuring to give other females a chance in this industry by predominantly moving with a female assisting team.

You will always find Lwandisa laughing and smiling on set and keeping the good vibes going.

MACAIRE COX

Growing up in a film mad family, Macaire brings his knowledge and discipline onto each and very set he works on. Starting off as a darkroom loader on 2005, he made the move to focus puller in 2011 and has worked successfully in every medium – commercials, local and international feature films and television series.

MALCOLM CROSS

Malcolm is a seasoned 1st Assistant Camera (focus puller) with a deep passion for the technical and creative side of filmmaking. With years of experience, he has honed the skill of maintaining perfect focus throughout a shot, ensuring that every frame tells the intended story. His work requires a blend of precision, adaptability, and quick thinking, as he is always ready to tackle the unexpected and make adjustments on the fly.

Beyond his technical expertise, Malcolm thrives in the collaborative environment of film sets, working closely with the cinematographer, grips, sound crew, and other departments to bring each shot to life. Whether troubleshooting gear, adjusting focus mid-scene, or guiding the audience’s eye through a complex shot, Malcolm’s role is a mix of problem-solving and artistry. His attention to detail and dedication to the craft make him an integral part of any film production.

MANDLA DLAMINI

Mandla has an expansive journey working in the industry and his passion reaches far and wide. He has worked on both international and local projects while working alongside some pretty big names. When the show craters the name, “not your run of the mill”, and you need to know that you can trust your crew implicitly, Mandla is the guy you call and you can be assured that all your bases will be covered.

Mandla loves being on set and helping in whatever capacity he can. His aspiration is to become a DOP but for now he wants to gather as much knowledge and experience as possible, while focusing on pulling and his skillset as a ronin technician.

NATHAN “NATE” SCHOOF

During Nates final year at AFDA in Port Elizabeth, he got the opportunity to work on a feature film being shot by a film crew from Joburg, he worked very hard and the right people noticed. After the movie he was asked to work in Johannesburg as a loader, having done multiple feature length projects and many, many more commercials. You could say the rest was history.

He works on the principal of what you add to the team is what makes the team, always striving to perseve through stressful moments, keep calm and always keep a smile on his face!

His goal is to continue learning from the best around me. The absolute end goal and dream is to shoot Horror films.

RORY SPRINGTHORPE

Rory’s journey into the world of focus pulling began in 2018 when he discovered his passion for photography. Leaving behind a corporate IT career, he dove into the camera department, where his love for both technical precision and creative storytelling naturally led him to focus pulling – a role where his meticulous attention to detail, calm demeanour and, organized approach thrive.

Starting with passion projects, social campaigns, and documentaries, Rory honed his craft while growing alongside Cape Town’s vibrant community of emerging Directors of Photography. His early experiences laid the foundation for his current work on a range of commercials, as well as a few feature films and TV shows.

Though he is relatively new to the industry, Rory is confident in his abilities behind the focus wheel and is dedicated to building a long-term career as a focus puller. With each project he continues to grow, learning from every frame, and is excited for the opportunities the future holds.

THEMBA MABASO

As a dedicated First Assistant Camera (1st AC), Themba specializes in bringing technical precision and creative collaboration to every project. With extensive experience working with ARRI and Sony camera systems, he is skilled at managing high-end gear, ensuring flawless execution on set and, supporting the Director of Photography (DOP) in capturing the perfect shot.

From handling the intricacies of focus pulling to coordinating complex setups, Themba thrives on the challenges of modern filmmaking. His expertise extends to advanced stabilization tools like the Ronin 2, where he excels in crafting smooth, dynamic movements as well as traditional wheels which, allows him to execute precise and fluid camera control. Whether it’s a fast-paced action sequence or an intimate dialogue scene, he brings a steady hand and sharp attention to detail to every frame.

He is passionate about the art of storytelling and views every project as an opportunity to push creative boundaries. Known for his adaptability, technical know-how and dedication to the craft, he aims to help translate a director’s vision into stunning visuals while fostering a seamless workflow on set.

TITO BALATA

Tito Balata is an accomplished 1st Assistant Camera/Focus Puller with a decade of experience in the film industry. Tito specializes in ensuring that every shot is perfectly prepared and ready to roll. His primary focus is on maintaining sharpness and clarity, making him an invaluable asset on set.

Throughout his career, Tito has worked on a diverse range of projects, showcasing his skills in both commercial and narrative filmmaking. Notable works include the Chicken Licken Commercial with Darling Films (2020), the documentary Dust & Stone with Jesse Rudoy (2018), and the critically acclaimed The Legend of Black Snake for Lobstar Tree Film (2016). More recently, he contributed to The Black Door for ETV Drama (2022), the Netflix film Piano Love with Black Brain Picture (2023), and The Outlaws for ShowMax with Tzedza Picture (2023).

With a keen eye for detail and a passion for storytelling, Tito continues to elevate the craft of cinematography in every project he undertakes.

2ND AC / LOADERS

GALALETSANG GALANE

Based in Johannesburg, with a flexibility to work in other provinces, Galaletsang Galane is an ambitious and skilled 2nd AC at Exposure Crew, with a passion for storytelling through the lens. Her journey in the camera department has been defined by her technical expertise, meticulous attention to detail, and an unyielding drive to master her craft.

Galaletsang’s natural ability to build, maintain, and operate complex camera systems has made her an indispensable member of every production team she works with. Known for her calm and focused demeanor on set, she thrives in high-pressure environments, ensuring seamless camera operations that allow directors and DOPs to bring their visions to life.

Having collaborated on a range of projects, from commercials, series and short films, to music videos, Galaletsang’s versatility and dedication have earned her recognition among industry professionals. She is deeply committed to evolving her skills and is actively charting her path toward becoming a Director of Photography.

Driven by a profound love for visual storytelling, Galaletsang aspires to craft narratives that captivate and resonate emotionally. Her ability to collaborate effortlessly with directors, focus pullers, DOPs and other crew members ensures that every project benefits from her creativity, precision, and technical acumen.

Gali’s goal is not just to grow within her role but to redefine it, shaping compelling visual worlds that elevate stories to new heights. With her determination, talent, and passion, she is undoubtedly a rising star to watch in the film industry.

HANNAH CONSTANTINE

After graduating at the top of her class at AFDA Cape Town in 2022, Hannah immediately joined Zootee Studios. Working in the gear house, she gained invaluable technical knowledge, increasing her expertise and passion for cameras. Hannah acquired many contacts in the industry, which led to weekends working on set before taking the leap to full-time. Hannah is a dedicated professional who never shies away from a hard day’s work. She has a forever love for learning and making beautiful ideas come to life.

JAMES YATES

A technician at heart and a passion for the arts brought James to the film Industry. With an honours degree and a lourie in hand he set out to further his understanding of the craft of filmmaking. Eager to lend a hand wherever it may be required, James blends seamlessly into the technical landscape of the camera department, adapting to whatever may be required of him.

Good work is never seen – it just happens. A standard he ceaselessly works towards.

JARRYD YEOMAN

Jarryd was a rare find coming out of the Exposure loaders program. He was requested quickly by the focus pullers, he has been loading on feature films under mentorship from experienced teams and is exceeding expectations, He is careful and considerate around the camera and is eager to gain more knowledge to be the best that I can be. He is aiming to make the transition to focus puller in the future.

KOKETSO MATOBAKO

I’m a Film and TV graduate from the University of the Witwatersrand with a passion for visual storytelling.

I have a love for being behind the camera and bringing ideas to life. This is displayed in my photography work as well as working in the film industry.

Being selected as one of the Design Indaba Emerging Creatives in 2020 gave me incredible exposure to the creative world as I completed my final year and helped refine my artistic perspective. In 2023, I had the incredible opportunity to work on a MTV Staying Alive project, where I directed the poster photography and captured behind-the-scenes stills. As a black female artist it was amazing to be part of such an important project. This experience further sharpened my ability to tell stories through imagery while teaching me how to collaborate with diverse international teams and maintain high creative standards.

As a second camera assistant, I’ve gained hands-on experience on series, film, and commercial sets, adapting to fast-paced, high-pressure environments. I’ve worked closely with camera departments to ensure smooth setups, handle equipment, and assist in capturing dynamics stories. These experiences have strengthened my problem-solving skills and adaptability, allowing me to thrive in demanding creative spaces.

LESEGO MOSEHLE

Lesego is a dedicated filmmaker with a deep passion for visual storytelling. After completing his studies at AFDA, he began his career as a production assistant, gaining invaluable hands-on experience in the fast-paced world of film production. My journey continued as he advanced to the role of second camera assistant, where he’s had the privilege of contributing to three long-form productions and a number of commercials.

With every project, his love for the craft has only grown stronger, and he is committed to continuously learning, refining his skills, and pushing the boundaries of his creativity. My ultimate goal is to evolve into a Director of Photography, where he can combine his technical knowledge and artistic vision to create compelling visual narratives.

He is driven by the opportunity to grow within the industry, and looks forward to each new challenge that brings him closer to his dreams in the world of film.

LUCY NGOBESE

Lucy originally had dreams of being an actress, but after a few gigs on set her curiosity about the camera department grew and she began asking questions until finally deciding her place was behind and not in front of the camera. Her main inspiration in the industry is Gaopie Kabe – she gave Lucy the drive to also reach for the top and is taking every opportunity that comes her way to become a DOP. While Lucy is from Mpumalanga originally, she has made Johannesburg her home. She is a keen learner and is now in training for focus pulling.

LUZANNE POTGIETER

Luzanne’s journey into film began as a dancer in music videos, where her fascination with the camera crew inspired her to pursue filmmaking. She studied Film & Television at The Open Window Institute, specializing in Cinematography, and quickly gained recognition, winning awards both in and outside of university. Her passion and skill have led her to work on various projects in cinematography and lighting, where she thrives as a collaborative, calm, and dedicated team player. Eager to learn and grow, Luzanne is on a determined path to becoming a leading Director and Cinematographer in South Africa’s film industry.

PASCALE SCHOEMAN

Pascale started her career in the film industry as a curious film student at AFDA, Cape Town. After graduating with a BA Degree in Motion Picture, majoring in Cinematography, she embarked on what she refers to as her “honours years” running a Cape Town based gear store as their Technical Manager. These years were instrumental in shaping Pascale into the camera technician she is today and make her an invaluable asset to any camera team.

She prides herself on her punctuality, communication skills and a positive attitude, as well as knowing how to run a smooth camera department. Over the past two years as a loader with Exposure Crew, Pascale has worked on commercials, long form projects and documentaries. She is currently honing her skills as 1st AC/Focus Puller and hopes to one day reach her goal of becoming a Director of Photography. She’s happiest when she gets to learn and grow in her field and searches for any and every opportunity to do so.

RANNA CEVIKMEN

Lead by her passion for the art of filmmaking and crafting beautiful imagery, Ranaa graduated with a degree in film and Television in 2019 and followed that up with an internship at Multichoice from 2020-2021.

She is a firm believer in team work and looking out for one another, she sees every day that she gets to be on set as an opportunity to continually learn from the new people and places the industry exposes her to. No matter what, she always brings her kind, caring and observant attitude to set.

2ND AC / LOADERS

GALALETSANG GALANE

Based in Johannesburg, with a flexibility to work in other provinces, Galaletsang Galane is an ambitious and skilled 2nd AC at Exposure Crew, with a passion for storytelling through the lens. Her journey in the camera department has been defined by her technical expertise, meticulous attention to detail, and an unyielding drive to master her craft.

Galaletsang’s natural ability to build, maintain, and operate complex camera systems has made her an indispensable member of every production team she works with. Known for her calm and focused demeanor on set, she thrives in high-pressure environments, ensuring seamless camera operations that allow directors and DOPs to bring their visions to life.

Having collaborated on a range of projects, from commercials, series and short films, to music videos, Galaletsang’s versatility and dedication have earned her recognition among industry professionals. She is deeply committed to evolving her skills and is actively charting her path toward becoming a Director of Photography.

Driven by a profound love for visual storytelling, Galaletsang aspires to craft narratives that captivate and resonate emotionally. Her ability to collaborate effortlessly with directors, focus pullers, DOPs and other crew members ensures that every project benefits from her creativity, precision, and technical acumen.

Gali’s goal is not just to grow within her role but to redefine it, shaping compelling visual worlds that elevate stories to new heights. With her determination, talent, and passion, she is undoubtedly a rising star to watch in the film industry.

HANNAH CONSTANTINE

After graduating at the top of her class at AFDA Cape Town in 2022, Hannah immediately joined Zootee Studios. Working in the gear house, she gained invaluable technical knowledge, increasing her expertise and passion for cameras. Hannah acquired many contacts in the industry, which led to weekends working on set before taking the leap to full-time. Hannah is a dedicated professional who never shies away from a hard day’s work. She has a forever love for learning and making beautiful ideas come to life.

JAMES YATES

A technician at heart and a passion for the arts brought James to the film Industry. With an honours degree and a lourie in hand he set out to further his understanding of the craft of filmmaking. Eager to lend a hand wherever it may be required, James blends seamlessly into the technical landscape of the camera department, adapting to whatever may be required of him.

Good work is never seen – it just happens. A standard he ceaselessly works towards.

JARRYD YEOMAN

Jarryd was a rare find coming out of the Exposure loaders program. He was requested quickly by the focus pullers, he has been loading on feature films under mentorship from experienced teams and is exceeding expectations, He is careful and considerate around the camera and is eager to gain more knowledge to be the best that I can be. He is aiming to make the transition to focus puller in the future.

KOKETSO MATOBAKO

I’m a Film and TV graduate from the University of the Witwatersrand with a passion for visual storytelling.

I have a love for being behind the camera and bringing ideas to life. This is displayed in my photography work as well as working in the film industry.

Being selected as one of the Design Indaba Emerging Creatives in 2020 gave me incredible exposure to the creative world as I completed my final year and helped refine my artistic perspective. In 2023, I had the incredible opportunity to work on a MTV Staying Alive project, where I directed the poster photography and captured behind-the-scenes stills. As a black female artist it was amazing to be part of such an important project. This experience further sharpened my ability to tell stories through imagery while teaching me how to collaborate with diverse international teams and maintain high creative standards.

As a second camera assistant, I’ve gained hands-on experience on series, film, and commercial sets, adapting to fast-paced, high-pressure environments. I’ve worked closely with camera departments to ensure smooth setups, handle equipment, and assist in capturing dynamics stories. These experiences have strengthened my problem-solving skills and adaptability, allowing me to thrive in demanding creative spaces.

LESEGO MOSEHLE

Lesego is a dedicated filmmaker with a deep passion for visual storytelling. After completing his studies at AFDA, he began his career as a production assistant, gaining invaluable hands-on experience in the fast-paced world of film production. My journey continued as he advanced to the role of second camera assistant, where he’s had the privilege of contributing to three long-form productions and a number of commercials.

With every project, his love for the craft has only grown stronger, and he is committed to continuously learning, refining his skills, and pushing the boundaries of his creativity. My ultimate goal is to evolve into a Director of Photography, where he can combine his technical knowledge and artistic vision to create compelling visual narratives.

He is driven by the opportunity to grow within the industry, and looks forward to each new challenge that brings him closer to his dreams in the world of film.

LUCY NGOBESE

Lucy originally had dreams of being an actress, but after a few gigs on set her curiosity about the camera department grew and she began asking questions until finally deciding her place was behind and not in front of the camera. Her main inspiration in the industry is Gaopie Kabe – she gave Lucy the drive to also reach for the top and is taking every opportunity that comes her way to become a DOP. While Lucy is from Mpumalanga originally, she has made Johannesburg her home. She is a keen learner and is now in training for focus pulling.

LUZANNE POTGIETER

Luzanne’s journey into film began as a dancer in music videos, where her fascination with the camera crew inspired her to pursue filmmaking. She studied Film & Television at The Open Window Institute, specializing in Cinematography, and quickly gained recognition, winning awards both in and outside of university. Her passion and skill have led her to work on various projects in cinematography and lighting, where she thrives as a collaborative, calm, and dedicated team player. Eager to learn and grow, Luzanne is on a determined path to becoming a leading Director and Cinematographer in South Africa’s film industry.

PASCALE SCHOEMAN

Pascale started her career in the film industry as a curious film student at AFDA, Cape Town. After graduating with a BA Degree in Motion Picture, majoring in Cinematography, she embarked on what she refers to as her “honours years” running a Cape Town based gear store as their Technical Manager. These years were instrumental in shaping Pascale into the camera technician she is today and make her an invaluable asset to any camera team.

She prides herself on her punctuality, communication skills and a positive attitude, as well as knowing how to run a smooth camera department. Over the past two years as a loader with Exposure Crew, Pascale has worked on commercials, long form projects and documentaries. She is currently honing her skills as 1st AC/Focus Puller and hopes to one day reach her goal of becoming a Director of Photography. She’s happiest when she gets to learn and grow in her field and searches for any and every opportunity to do so.

RANNA CEVIKMEN

Lead by her passion for the art of filmmaking and crafting beautiful imagery, Ranaa graduated with a degree in film and Television in 2019 and followed that up with an internship at Multichoice from 2020-2021.

She is a firm believer in team work and looking out for one another, she sees every day that she gets to be on set as an opportunity to continually learn from the new people and places the industry exposes her to. No matter what, she always brings her kind, caring and observant attitude to set.

DIT

CAMERON BAATJIES

Cameron prides himself in being good at what he does. Having worked on a variety of projects, from short films to major television productions – Cameron excels in collaborating with directors, cinematographers and, post-production teams to achieve the desired aesthetic and maintain continuity. Proficient in industry-standard software such as DaVinci Resolve and Silverstack, he is adept at troubleshooting and optimizing workflows.

When he is not behind the camera or behind the DIT Cart, you can find him around gear houses building his knowledge base. Cameron prides himself in being at the bleeding edge of all things technical in our industry. Constantly tinkering and experimenting with the latest tools that are available to him.

Although ultimately Cameron wants to be a DOP, his keen eye to detail ensures that all your data will be managed safely and securely. He is the perfect match for your next production.

RICHARD MULLER

Richard’s well rounded experience includes feature films, documentaries, television shows, commercials and stereoscopic 3D and Virtual Production.  As well as being an experienced colourist and editor,  he has a strong background in post production and specialises in managing high-volume multicam shows and complex colour and look pipelines. His early experience as a camera assistant and operator, strengthens his role as a DIT and technical director.

Some of Richard’s biggest projects include the Alexa65 based Netflix series Dark, 1899, Damsel, The Kingdoms of Fire (5 months of LF action-insanity in the Sahara), Avengers: Age of Ultron and Chappie.

He recently branched into Virtual Production Supervision, serving as such on several high end productions including The Phoenician Scheme, for Wes Anderson.

Crew United
The DIT Book

SONDIA VILJOEN

With over 15 years of experience in the film industry, Sondia specializes as a Digital Imaging Technician (DIT) and colorist, contributing to the seamless technical and creative processes behind storytelling. Her career journey has included roles at leading post-production houses and several years as an in-house DIT and camera technician at Panavision.

Passionate about nurturing talent, she enjoys training aspiring filmmakers, aiming to raise the standards of our industry while advocating for fair work environments. She is particularly inspired by the opportunity to collaborate on unique and original African stories, believing in the transformative power of storytelling to connect and inspire.

She is deeply grateful for the chance to work with exceptional filmmakers, and remains committed to contributing to projects that reflect authenticity and creativity, focusing on delivering a high standard of skills and competency to bring a project to life. She is also particularly passionate about grading as it creates an opportunity to be creatively involved in bringing a story to life.

STEVEN-BRETT WHITTAKER

With over 16 years of experience in the film industry, Steven brings a wealth of knowledge from multiple departments to his role as a DIT. Known for his solution-oriented approach and strong team collaboration, he balances a professional focus with a touch of fun on set.

Steven specializes in seamless workflows, precise Live Grade and, robust data security; ensuring every production’s digital assets are handled with care and expertise. Whether on set or in post, he is dedicated to supporting the creative vision with technical reliability and efficiency.

Through his company Thunder Strike Post he services DIT, Data Wrangling & VT.

WES SMIT

Wes Smit is an emerging Digital Imaging Technician in the film industry and has quickly made his mark by working on several TVCs and long form productions. Wes’ keen eye for detail and proficiency in imaging technology allowed him to collaborate effectively with directors and cinematographers; enhancing the visual process of each of the projects he has worked on.

As he continues to grow in his career, Wes aims to push the boundaries of digital imaging in film, working under Big Al’s, a leading DIT Company based in Cape Town. Wes aspires to contribute to major motion pictures while mentoring the next generation of filmmakers.

DIT

CAMERON BAATJIES

Cameron prides himself in being good at what he does. Having worked on a variety of projects, from short films to major television productions – Cameron excels in collaborating with directors, cinematographers and, post-production teams to achieve the desired aesthetic and maintain continuity. Proficient in industry-standard software such as DaVinci Resolve and Silverstack, he is adept at troubleshooting and optimizing workflows.

When he is not behind the camera or behind the DIT Cart, you can find him around gear houses building his knowledge base. Cameron prides himself in being at the bleeding edge of all things technical in our industry. Constantly tinkering and experimenting with the latest tools that are available to him.

Although ultimately Cameron wants to be a DOP, his keen eye to detail ensures that all your data will be managed safely and securely. He is the perfect match for your next production.

RICHARD MULLER

Richard’s well rounded experience includes feature films, documentaries, television shows, commercials and stereoscopic 3D and Virtual Production.  As well as being an experienced colourist and editor,  he has a strong background in post production and specialises in managing high-volume multicam shows and complex colour and look pipelines. His early experience as a camera assistant and operator, strengthens his role as a DIT and technical director.

Some of Richard’s biggest projects include the Alexa65 based Netflix series Dark, 1899, Damsel, The Kingdoms of Fire (5 months of LF action-insanity in the Sahara), Avengers: Age of Ultron and Chappie.

He recently branched into Virtual Production Supervision, serving as such on several high end productions including The Phoenician Scheme, for Wes Anderson.

Crew United
The DIT Book

SONDIA VILJOEN

With over 15 years of experience in the film industry, Sondia specializes as a Digital Imaging Technician (DIT) and colorist, contributing to the seamless technical and creative processes behind storytelling. Her career journey has included roles at leading post-production houses and several years as an in-house DIT and camera technician at Panavision.

Passionate about nurturing talent, she enjoys training aspiring filmmakers, aiming to raise the standards of our industry while advocating for fair work environments. She is particularly inspired by the opportunity to collaborate on unique and original African stories, believing in the transformative power of storytelling to connect and inspire.

She is deeply grateful for the chance to work with exceptional filmmakers, and remains committed to contributing to projects that reflect authenticity and creativity, focusing on delivering a high standard of skills and competency to bring a project to life. She is also particularly passionate about grading as it creates an opportunity to be creatively involved in bringing a story to life.

STEVEN-BRETT WHITTAKER

With over 16 years of experience in the film industry, Steven brings a wealth of knowledge from multiple departments to his role as a DIT. Known for his solution-oriented approach and strong team collaboration, he balances a professional focus with a touch of fun on set.

Steven specializes in seamless workflows, precise Live Grade and, robust data security; ensuring every production’s digital assets are handled with care and expertise. Whether on set or in post, he is dedicated to supporting the creative vision with technical reliability and efficiency.

Through his company Thunder Strike Post he services DIT, Data Wrangling & VT.

WES SMIT

Wes Smit is an emerging Digital Imaging Technician in the film industry and has quickly made his mark by working on several TVCs and long form productions. Wes’ keen eye for detail and proficiency in imaging technology allowed him to collaborate effectively with directors and cinematographers; enhancing the visual process of each of the projects he has worked on.

As he continues to grow in his career, Wes aims to push the boundaries of digital imaging in film, working under Big Al’s, a leading DIT Company based in Cape Town. Wes aspires to contribute to major motion pictures while mentoring the next generation of filmmakers.

VT

KHYLE DU PLESSIS

My interest in cameras and photography began when I was 16 years old. I started shooting on 35mm B&W film and started developing and printing my own photos at 17. My areas of focus have been product and fashion photography.

I have a background in post-production where I learned data management, editing, colour grading, and compositing.

I started my film career as a Loader, VT assistant and DIT Assistant working on advertisements in Johannesburg. I worked on Survivor Champions (filmed in Malaysia) which gave me a taste of international, larger scale productions. I moved my way up to being a full time VTO and Junior DIT and started working on long form productions such Our Girl Season 4 (BBC), The Professionals (Amazon) and The Watch (BBC).

I divide my time between Johannesburg and Cape Town.

 

VT

KHYLE DU PLESSIS

My interest in cameras and photography began when I was 16 years old. I started shooting on 35mm B&W film and started developing and printing my own photos at 17. My areas of focus have been product and fashion photography.

I have a background in post-production where I learned data management, editing, colour grading, and compositing.

I started my film career as a Loader, VT assistant and DIT Assistant working on advertisements in Johannesburg. I worked on Survivor Champions (filmed in Malaysia) which gave me a taste of international, larger scale productions. I moved my way up to being a full time VTO and Junior DIT and started working on long form productions such Our Girl Season 4 (BBC), The Professionals (Amazon) and The Watch (BBC).

I divide my time between Johannesburg and Cape Town.

 

ADs

TRAVIS NEL

Travis Nel is not only an excellent human, he is the genius glue that can hold a shoot together against all odds. Funny, fast thinking and solution-driven he creates space for creative without sending production into over drive. His ability to delicately balance physics, creative requirements and keep things spontaneous is a rare gift.

Travis is the guy you want beside you when it seems impossible, because if you give him the chance to figure it out, he will always, always find a way. You don’t have to believe us. Ask anyone who has ever stared down the barrel of a ticking clock with him and they will tell you even father time slows down to see how he can help Trav.

ADs

TRAVIS NEL

Travis Nel is not only an excellent human, he is the genius glue that can hold a shoot together against all odds. Funny, fast thinking and solution-driven he creates space for creative without sending production into over drive. His ability to delicately balance physics, creative requirements and keep things spontaneous is a rare gift.

Travis is the guy you want beside you when it seems impossible, because if you give him the chance to figure it out, he will always, always find a way. You don’t have to believe us. Ask anyone who has ever stared down the barrel of a ticking clock with him and they will tell you even father time slows down to see how he can help Trav.